After 39 Years, Maude Gets Some Company

Last week, a milestone of sorts was reached for network television shows. For the first time in almost four decades, a primary character not only chose to have an abortion, but actually went through with the procedure.

Grey’s Anatomy has addressed a number of emotional and intense topics in its previous seven seasons, and as befits a medical soap opera, the situations and results have sometimes felt more far-fetched and nonsensical than organic and realistic. Yet the plot line involving whether surgeon Cristina Yang would continue a pregnancy that her husband very much wanted, or have the abortion that she desired played out in an even-handed manner that neither demonized Cristina for not wanting to be a mother or made light of her husband’s yearning to be a father.

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Abortion on TV: Friday Night Lights

To quote Gloria Feldt, “Media portrayals, real or fictional, don’t merely inform us — they form us.” In this series, I will be examining five films – classic, mainstream, independent, foreign, and pre-Roe – and five television shows – daytime soap, pre-Roe, drama, critically lauded, and teen-oriented – that address unexpected pregnancy, to examine how past portrayals can influence and reflect society’s view of abortion.

The NBC drama “Friday Night Lights” has been drawing critical acclaim ever since it premiered in 2006, but it has struggled to find the wide audience that this show deserves. Set in a small West Texas town where life revolves around high school football, “FNL” follows the lives of a high school coach, his family, and several of the players on the team. The first season alone dealt with infidelity, teenage sex, steroid use, and bipolar disorder – so really, the only surprise around the most recent season’s abortion storyline is that the show hadn’t explored the issue before.

The storyline played out over a number of episodes, and realistically portrayed 16-year-old Becky’s struggle.  Pregnant by a classmate that she liked but hardly knew, and keenly aware of the difficulties her own mother, who had Becky when she was a teenager, had gone through in her own life, Becky had a number of conversations with her mother, the boy involved, a close friend, and her school principal before deciding that having an abortion was the best decision.  Delicately written and extremely well-acted, the storyline served as an important corrective to the glossy, simplified way that teenage pregnancy has long been represented not just in film and television, but in the larger media as well.

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