“Doonesbury” Takes on Ultrasound Laws

Image courtesy Universal Uclick

Over the past forty years, Garry Trudeau’s Pulitzer Prize-winning comic strip “Doonesbury” has tackled its fair share of controversial topics. But this week marks the first time that Trudeau will address abortion, and as a result newspaper editors across the country are refusing the run the six-day series.

The series will focus on mandatory ultrasounds, such as the ones in Virginia and Texas that have drawn national scrutiny in recent weeks. “I chose the topic of compulsory sonograms because it was in the news and because of its relevance to the broader battle over women’s health currently being waged in several states,” Trudeau said in a recent interview. “For some reason, the GOP has chosen 2012 to re-litigate reproductive freedom, an issue that was resolved decades ago. Why [Rick] Santorum, [Rush] Limbaugh et al. thought this would be a good time to declare war on half the electorate, I cannot say. But to ignore it would have been comedy malpractice.”

In 1985, Trudeau created a Doonesbury series that dealt with the anti-choice film The Silent Scream. But, as Trudeau explains in the same interview, the president of the company that syndicated Doonesbury “felt that it would be deeply harmful to the feature, and that we would lose clients permanently. They had supported me through so much for so long, I felt obliged to go with their call.” That series was never given wide release in newspapers.

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Unwinding the Abortion Debate in Young Adult Fiction

Currently in production is a cinematic adaptation of Neal Shusterman’s award-winning Young Adult novel Unwind. You won’t find any vampires, talking lions, or wizards here. Unwind is the story of three teenagers attempting to escape their fate: being sentenced to death by having all of their organs harvested.

Published in 2007, Unwind is a chilling look at the aftermath of the second civil war between pro- and anti-choice armies. Taking the current political climate to its furthest logical conclusion, Shusterman has created a near-future in which a truce between both sides was brokered by the government by the introduction of the Bill of Life. Coinciding with the perfection of a technique called neurografting, by which 99.8% of a donor’s body could be used in transplant, the Bill of Life proposed that abortion be made illegal, but a pregnancy could be terminated retroactively when a child reached the age of thirteen. This introduced the Unwind Accord, in which the retroactive terminations would see the children ‘unwound,’ their bodies not put to death but rather into a ‘divided state’ with all of their organs harvested for donation. [Read more...]

Sperm Dumpster vs. Spongeworthy

If Seinfeld’s Elaine Benes were on television today, chances are she’d only exist in the HBO universe. In a cultural landscape that sees fit to censor a show like Family Guy when it mentions abortion, you’d better believe a pro-choice character like Elaine would not mention the topic, much less break up with a boyfriend over the issue.

Family Guy has featured a musical number called “Prom Night Dumpster Babies,” and is filled with such witty dialogue as:

Brian: Her fists are so dangerous, she’s not allowed to be a lesbian.

Rush Limbaugh: The fact you would give a woman credit for anything, it means you’re a liberal.

And:

Brooke: Quagmire, will you accept this rose?

Quagmire: Really? After I drugged you and had sex with your unconscious body?

Brooke: What?

Quagmire: Yes.

And:

Lois: Oh, what about this, Meg? A pink baby-tee that says: “Little Slut.” That seems pretty hip.

Meg: I don’t know if that’s really me, Mom.

Lois: Well, they’ve got one that says: “Porn Star” and another that says: “Sperm Dumpster.” And they’re all written in glitter.

Meg: All right, all right. Give me “Sperm Dumpster.”

Lois: That’s the spirit!

Sluts, date rape, and porn, oh my! Fox is fine with newborn babies being tossed into dumpsters but not OK with abortion. Does that seem a little fucked up to anyone else?  [Read more...]

Abortion in TV: Degrassi High and Degrassi: The Next Generation

To quote Gloria Feldt, “Media portrayals, real or fictional, don’t merely inform us — they form us.” In this series, I will be examining five films – classic, mainstream, independent, foreign, and pre-Roe – and five television shows – daytime soap, pre-Roe, drama, critically lauded, and teen-oriented – that address unexpected pregnancy, to examine how past portrayals can influence and reflect society’s view of abortion.

My parents didn’t let my sister and I watch a lot of television when we were kids, which might explain my pop-culture obsession as an adult. One of the few shows that we were allowed to see, however, was a Canadian teen drama called Degrassi Junior High. We lived close enough to the U.S.-Canadian border that the CBC was one of the few stations our TV antenna could pick up, and every Monday evening the entire family would settle in for a half-hour of the finest teen angst north of the border. Degrassi Junior High eventually morphed into Degrassi High, which spawned the current incarnation, Degrassi: The Next Generation, currently airing on TeenNick (formerly known as The N).

Degrassi distinguished itself by constantly exploring dramatic issues in a pretty realistic manner, and the handling of abortion is no exception. There have been two significant storylines involving abortion, one on Degrassi High in 1989 and the other on Next Generation in 2004. Both storylines generated controversy; when the 1989 episode was aired in the U.S., scenes of protestors were edited out and the character’s ultimate decision was left unclear. In 2005, TeenNick refused to air either the two-part abortion episode or the episode immediately following them. The previous year, the network had declined to air Next Generation’s abortion episodes, finally broadcasting them in 2006.

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