Search Results for: waitress

Human Trafficking Report Sheds Light on A Hidden Crime

Guest blogger Darci recently graduated from the University of Chicago School of Social Service Administration with her Masters in Social Work, and currently works in an anti-trafficking organization in Chicago. She has volunteered, interned, and worked at her campus rape crisis center as well as the rape crisis center serving the Seacoast. Darci is very passionate about women’s issues, ending violence against women, and portraying women with dignity and respect in the media. She blogs at www.iamafeministnowwhat.wordpress.com.

In early August, the Polaris Project released a report ranking the states on their response to human trafficking. This report is similar to the Trafficking in Persons (TIP) report released by the U.S. government as a tool to engage foreign governments on human trafficking. Similarly, the Polaris Project’s report on the United States ranked states by tier determined by a point system. The tier descriptions are as follows:

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The Pregnant Body

As a pro-choice activist (and person who reads the news), the fact that women’s bodies are objects of public discourse is no surprise to me. From birth control to abortion, our reproductive systems take the stage, front and center. We are put under the proverbial microscope, scrutinized and criticized on a regular basis for taking control of our bodily integrity and fertility. Continuing a decades-long trend (or centuries-long, even), this public inspection is at an all-time high, completely fixated on when we – gasp! – choose not to conform to gendered expectations and bear children when we “ought” to.

But what about when we do decide to become mothers?

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Is 2011 the Year of the (Television) Woman?

Image courtesy of iconarchive.com

For almost as long as television has been a part of our lives, the predominant voices in mainstream TV shows have belonged to men – they were the creators, writers, producers, and directors behind the shows watched by millions of people. There have been exceptions to this male-dominated reality – “I Love Lucy” and soap operas come to mind – but entertainment is still enough of a man’s world that much has been made of this season’s crop of women-driven shows.

Leading the pack in terms of sheer amount of marketing were the sitcoms Whitney and New Girl, closely followed by Charlie’s Angels, Pan Am, and the short-lived Playboy Club. But while these shows, along with 2 Broke Girls center around the lives of women, their messages about feminism are wildly diverse.

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Abortion in TV: Degrassi High and Degrassi: The Next Generation

To quote Gloria Feldt, “Media portrayals, real or fictional, don’t merely inform us — they form us.” In this series, I will be examining five films – classic, mainstream, independent, foreign, and pre-Roe – and five television shows – daytime soap, pre-Roe, drama, critically lauded, and teen-oriented – that address unexpected pregnancy, to examine how past portrayals can influence and reflect society’s view of abortion.

My parents didn’t let my sister and I watch a lot of television when we were kids, which might explain my pop-culture obsession as an adult. One of the few shows that we were allowed to see, however, was a Canadian teen drama called Degrassi Junior High. We lived close enough to the U.S.-Canadian border that the CBC was one of the few stations our TV antenna could pick up, and every Monday evening the entire family would settle in for a half-hour of the finest teen angst north of the border. Degrassi Junior High eventually morphed into Degrassi High, which spawned the current incarnation, Degrassi: The Next Generation, currently airing on TeenNick (formerly known as The N).

Degrassi distinguished itself by constantly exploring dramatic issues in a pretty realistic manner, and the handling of abortion is no exception. There have been two significant storylines involving abortion, one on Degrassi High in 1989 and the other on Next Generation in 2004. Both storylines generated controversy; when the 1989 episode was aired in the U.S., scenes of protestors were edited out and the character’s ultimate decision was left unclear. In 2005, TeenNick refused to air either the two-part abortion episode or the episode immediately following them. The previous year, the network had declined to air Next Generation’s abortion episodes, finally broadcasting them in 2006.

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Abortion on TV: Friday Night Lights

To quote Gloria Feldt, “Media portrayals, real or fictional, don’t merely inform us — they form us.” In this series, I will be examining five films – classic, mainstream, independent, foreign, and pre-Roe – and five television shows – daytime soap, pre-Roe, drama, critically lauded, and teen-oriented – that address unexpected pregnancy, to examine how past portrayals can influence and reflect society’s view of abortion.

The NBC drama “Friday Night Lights” has been drawing critical acclaim ever since it premiered in 2006, but it has struggled to find the wide audience that this show deserves. Set in a small West Texas town where life revolves around high school football, “FNL” follows the lives of a high school coach, his family, and several of the players on the team. The first season alone dealt with infidelity, teenage sex, steroid use, and bipolar disorder – so really, the only surprise around the most recent season’s abortion storyline is that the show hadn’t explored the issue before.

The storyline played out over a number of episodes, and realistically portrayed 16-year-old Becky’s struggle.  Pregnant by a classmate that she liked but hardly knew, and keenly aware of the difficulties her own mother, who had Becky when she was a teenager, had gone through in her own life, Becky had a number of conversations with her mother, the boy involved, a close friend, and her school principal before deciding that having an abortion was the best decision.  Delicately written and extremely well-acted, the storyline served as an important corrective to the glossy, simplified way that teenage pregnancy has long been represented not just in film and television, but in the larger media as well.

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Abortion in TV: Party of Five

To quote Gloria Feldt, “Media portrayals, real or fictional, don’t merely inform us — they form us.” In this series, I will be examining five films – classic, mainstream, independent, foreign, and pre-Roe – and five television shows – daytime soap, pre-Roe, drama, critically lauded, and teen-oriented – that address unexpected pregnancy, to examine how past portrayals can influence and reflect society’s view of abortion.

Some television shows will come right up to the edge of abortion, then back away with the Conveniently Timed Miscarriage. My favorite example of this phenomena occurred on the mid-1990s TV show Party of Five, the occasionally-overwrought drama about five siblings orphaned after their parents were killed in a car crash. Residing in a ridiculously pretty house in San Francisco, the Salinger kids – headed by a scruffy Matthew Fox rocking a semi-mullet – dealt with dead parents, alcoholism, infidelity, cancer, business woes, and Jennifer Love Hewitt.

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Abortion in TV: Maude

To quote Gloria Feldt, “Media portrayals, real or fictional, don’t merely inform us — they form us.” In this series, I will be examining five films – classic, mainstream, independent, foreign, and pre-Roe – and five television shows – soap opera, pre-Roe, drama, critically lauded, and teen-oriented – that address unexpected pregnancy, to examine how past portrayals can influence and reflect society’s view of abortion.

It’s impossible to discuss abortion in pop culture and not bring up “Maude,” the popular sitcom that ran from 1972-1978. Two months into the show’s first season, the two-part “Maude’s Dilemma” dealt with Maude’s unexpected pregnancy at age 47. She decides to have an abortion, which at the time was legal in New York, where the show was set. (The procedure was also legal in a handful of other states and the District of Columbia.) When CBS aired the episodes again the following summer, a number of affiliates refused to air the program. In an interview about the storyline, series creator Norman Lear said that the original airings did not generate any controversy or negative reaction from viewers.

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Abortion on TV: Beverly Hills, 90210

To quote Gloria Feldt, “Media portrayals, real or fictional, don’t merely inform us — they form us.” In this series, I will be examining five films – classic, mainstream, independent, foreign, and pre-Roe – and five television shows – soap opera, drama, pre-Roe, critically lauded, and teen-oriented – that address unexpected pregnancy, to examine how past portrayals can influence and reflect society’s view of abortion.

So my original plan for this post was to write about the famous episode of All My Children where Erica Kane had the first legal abortion on daytime TV, in 1973. I’d never seen the show – in my house the preferred daytime viewing was Another World and Days of Our Lives – but I figured hey, everything’s online, it shouldn’t be too hard to track down at least a few clips of that groundbreaking ep.

Surprise! It is that hard. In fact, it’s pretty much impossible. So I thought hey, during its first season in 1964, Another World had a storyline involving an illegal abortion – the first of its kind, and even more trailblazing. Maybe that one has been immortalized on Hulu or YouTube or Netflix? Alas, that search failed too. But unplanned pregnancy has long been a staple of soap operas, so I knew somewhere out there was a storyline I could not only write about, but watch first. And then inspiration struck, in the form of that immortal, synthesizer-heavy theme song: the “Andrea gets knocked up” plotline from the original Beverly Hills, 90210!

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Abortion in Film: The Shame of Patty Smith

To quote Gloria Feldt, “Media portrayals, real or fictional, don’t merely inform us — they form us.” In this series, I will be examining five films – classic, mainstream, independent, foreign, and pre-Roe – and five television shows – daytime soap, drama, pre-Roe, critically lauded, and teen-oriented – that address unexpected pregnancy, to examine how past portrayals can influence and reflect society’s view of abortion.

Released in 1962, The Shame of Patty Smith sounds like a classic exploitation flick: cheaply made, poorly written and acted, and full of lurid images of young girls led astray. Which, honestly, is why I wanted to see it – I do love Reefer Madness-style cult classics. Imagine my surprise, then, to see a staunchly pro-legalization message repeated throughout this tale of Patty’s rape and desperate search for an abortion. [Read more...]

Abortion in Film: 4 Months, 3 Weeks and 2 Days

To quote Gloria Feldt, “Media portrayals, real or fictional, don’t merely inform us — they form us.” In this series, I will be examining five films – classic, mainstream, independent, foreign, and pre-Roe – and five television shows – daytime soap, drama, pre-Roe, critically lauded, and teen-oriented – that address unexpected pregnancy, to examine how past portrayals can influence and reflect society’s view of abortion.

This is an intense movie. Not to mention terrifying and infuriating and impossible to turn off – a masterfully written, filmed, and acted chronicle of two young women’s attempt to obtain an illegal abortion in Romania, circa 1987. Otilia, a resourceful and unflappable college student, raises the money, secures the hotel room, and meets the abortionist who will terminate her roommate Gabita’s pregnancy. She’s the one making the arrangements because Gabita is on the edge of panic, essentially sleepwalking through the day until the abortionist comes to the hotel, at which point the movie takes an even darker turn. The dynamic between Otilia and Gabita, more than any other relationship in the film, is riveting and complicated, and a large part of what makes the movie so compelling. It’s no wonder that critics largely adored this 2007 release, which won that year’s Palme d’Or at the Cannes Film Festival. [Read more...]